Measuring an Audience That Reads Three Languages

A business working in one language gets one number and knows what it means. A business working in three gets one number and knows almost nothing, because it is the sum of audiences that behave differently and were never comparable in the first place.

Splitting that number apart is not complicated. It does require deciding, before anything is published, that the split matters.

Cover showing click statistics split by language on a digily.ee link
Statistics · One total, three audiences · digily.ee

Why a single total misleads here

Suppose a page gets four hundred visits in a month. If your audience were one language in one country, that figure would tell you whether the month went well.

Here it might be three hundred locals who always find you, sixty people from a neighbouring country who arrived through a search you did not know you ranked for, and forty who read your English version and could become customers if anyone followed up.

Those three groups have nothing in common except the counter. Averaged together they produce a figure that moves for reasons you cannot see and therefore cannot act on.

Language and country disagree

This is the part that surprises people the first time they see it.

The country figure comes from where the request originated. The language figure comes from which version the visitor was routed to. In a region with long-standing bilingual communities, cross-border commuting and a sizeable diaspora, those two rarely line up.

A concrete example: a company finds that a third of the visits to its Russian language page come from outside the country entirely, while its English page is read mostly by people inside it. Both facts change where the next advertisement goes, and neither is visible without the split.

Small numbers need longer windows

Splitting an audience three ways also splits the sample three ways, and small samples wander for no reason at all.

A version with twelve visits in a week has told you nothing. The same version with a hundred and fifty over a quarter has told you something.

So stretch the window rather than the interpretation. Compare quarters, and resist building a story around a version that had four visits on Tuesday and nine on Wednesday.

What the split actually changes

Three decisions come out of this, and all three are practical.

  • Which language to write the next thing in first, which is usually not the one you assumed.
  • Which version deserves advertising of its own rather than a translated copy of somebody else's campaign.
  • Whether a version is worth keeping at all. A page nobody opens in any month costs upkeep and clutters your sitemap.

The third one is uncomfortable, and it is the reason the exercise pays for itself.

Keeping the comparison fair

One version usually receives more attention than the others, and its numbers are then used to prove it deserved that attention.

Before concluding that a language does not perform, check that its page is as current as the others, that it is linked from the same places, and that its address has actually been shared anywhere. A version published once and never mentioned again is not a failed audience.

Correct the obvious inequality, wait another quarter, then decide. Both the change and the measurement are cheap, which is the only reason this is worth repeating.

Start on Digily Link

Take a digily.ee address.

Open a free account, pick digily.ee from the domain list, and share one address that works in every language your audience reads.